After the busy holiday and CHA season, DCWV is back with their monthly challenges. There is the usual layout and card sketches to give your crafting a design base. Check these sketches out.
And here is my take on the challenge.
I used the DCWV Blue Citrus stack, plus some gymnastics paper and embellishments I’ve been hanging on to for years. My older two kids took gymnastics when they were younger and I never scrapped any of that adventure. Now that my middle & youngest are (back) into gymnastics, I can pull that product back out!
My least favorite paper in the Blue Citrus stack was that geometric paper I used for the background. I thought it an odd addition to such a floral driven collection. But I think it worked perfect for a page. The hard geometric lines remind me of the structure of the gym equipment, especially the balance beams. The florals and curves soften out the layout with the idea of grace and music that gymnastics incorporates.
And now, I have one tip for you on this layout. One of the gym embellishments I pulled out was this “Perfect 10” brad.
But the color and distressed look was too harsh for this layout. So I took the idea, and parts of the embellishment, and altered it to fit my needs. I pulled off the epoxy top layer & sticker. I punched a circle from the same paper I used for my journaling and stamped a “10” on it in a lighter ink. I added this back onto the brad and found in my stash an epoxy circle that just fit over to make the brad look almost exactly as it was to begin with. It just has a new toned down color that fits a bit better.
And now on to the card…
I used the Stencil DIY stack for this one. Even the card base is kraft paper from the stack, cut to create a large 6×6 card. To create the circle, I heat embossed the little hearts over a white pattern paper (using the heart stencil and clear embossing powder). I then inked over that with pink ink. You can still see the pattern even under the ink. I then used a pen to outline a few hearts to add extra layers to this simple card. It is a nice effect. Add a few more hearts and it is done.
Shimelle has a new weekly challenge up… use hearts. When I sat down to scrapbook tonight I didn’t intend to work on this challenge but them two things happened. 1) There were a pile of hearts on my desk from a previous project and 2) The papers I pulled for this page happened to have a small pink heart print on the B side. Guess hearts is where I needed to go!
(Just FYI I blanked out faces for privacy.)
I didn’t have any plans for this page in mind when I started. I just had my photos printed in 4 2×3 prints and one 2×3 plus a border print. So those sizes lead to the page design. I knew the focal photo with the border needed to be up higher on the page near the title and the other photos would be in a block to continue the story. The focal photo placement made for a good place to add a large vertical block and it would serve as my journaling space also.
This brought the hearts into play. One of my go-to journaling tips is to number each photo and then number my journaling to match each photo. What better way to number my prints than with popped up hearts? Plus the Shimelle roller date stamp has little hearts and numbers that I used to print on the journaling “tabs”.
The heart theme led to another benefit to my page. It helped me with my title. This page is just different things that my daughter did for the month of March 2015. And what “love”ly little things they were. See what a did there, hearts, love. Get it? Ha!
I filled in some empty space with more hearts and some stickers and called it done.
This lead to part two of scrapping tonight. I’ve been on a mission to get a bunch of pages done so I can get “caught up”. (Yes, I still have the mind set, but I’m happy with it, so don’t worry). In order to get things done I need to work fast and work simple. So for this second page I used many of the design elements from the first page to just make life simple. I kept the small block of photos, the large vertical strip and the numbering of the photos. Only this time the numbering is a sequence of events. See how that numbering could work in more than one way? I love it.
I used up leftover papers from what I pulled for the first page. Made the page all about the story. I even needed more space to add more story. So I just added some note sheets that came with a Shimelle roller stamp to finish my journaling. Throw on some of my favorite embellishments, wood veneer and cork shapes, and called it done.
Hope you can use the heart challenge and also use your own design to keep going to make more pages.
I’m back with another day of Watercolor Intermediate techniques for card makers class offered by Online Card Classes. The pre-class assignments are all geared to get to know your watercolor mediums. I’ve decided to focus on tube paints, just because it makes me feel more like an artist ;). But this could work for markers, watercolor pencils, ink pads and other water soluble mediums.
Last time I showed you color swatches. This time I am using just the primary colors (all I own of a “pro” quality paint) to create color wheels and what is called a glazing chart (a new concept for me!). I’ve used Winsor & Newton Professional line of paints. I have a set of “cheap” paints but bought primaries of these professional paints just to see what the difference is. All the samples in this post are used just with these paints.
Sorry about photo quality but I’ve decided that documenting the process is more important than perfection of presentation! And now you can see what I’ve managed to do with them.
Here is my color wheel using Strathmore paper (left) and Arches (right). I like how the paint floats on the Strathmore but once it dries, I’m not happy with the blotchy results. The Arches just sucks up water so I feel the need to use less pigment in order to save money. But perhaps creating art is not about saving money. Hmm.
Well, the next couple of pictures shows the difference between my pigment use. Both are on Arches paper. I’ve decided to save the Strathmore for simple projects only. The first is the heavy pigment, which felt “right” when I was mixing but in the end came out way darker than what I really wanted. The second photo used a more dilute solution. Honestly it seemed so watery when I was mixing it. But when it dried, the results were soft and lovely. I guess less really is more.
So if you are experimenting with watercolors, really do try different papers and different concentrations of color to see what is good for you.
I will be starting the Intermediate Watercolor class for card makers over at Online Card Classes here in a few days. As part of that class I have purchased some new papers, a few new paints and have been experimenting. So far the type of paper has made a huge impact on my results. I have a 12 tube set of “cheap” watercolors and 3 primary colors in a professional grade watercolor. I did some color swatching and the paper seemed to matter more than the paint at this point.
Here I have 3 papers. The bottom being Arches hot press, which I haven’t played with yet. The middle is Strathmore 300 series cold press (a student grade paper) and the topmost is Arches cold press 140lb. The color of the papers are different as you can see. But what you can’t see is that the textures are quite different as well. The Arches has a finer tooth, with almost a sandpapery feel. I honestly don’t like the way it feels. But as you can see from the color swatches in the next photo, the paper behaves how you would expect a watercolor paper to behave. The Strathmore paper ended up very blotchy for nearly all of my color swatches. I just showed a few of the worst samples below.
In each of the samples the Strathmore is on the right and the Arches on the left. Notice how solid and smooth the color is on the Arches and how blotchy it is on the Strathmore. I’ve heard the term granulating in the watercolor world recently and I thought this splotchiness was what they meant. Now I know it is the paper that is doing that and not the paint! (All of these colors are from my cheap set of paints.)
I think why this is happening is that the Strathmore is a less absorbent paper. The water would float on top of the paper and swirl around as I was using it. The Arches just sucks water and color into the paper. It was a little disconcerting since I was used the the Strathmore and the very fluidness that I’ve come to associate with watercoloring. The Arches, I had to mix up large pools of color and keep reloading my brush to get good coverage. I feel like I’m using way more paint on the Arches, which means more money. But for prettier results, I guess that is the price you pay!
I’ll be back tomorrow with some more progress on my watercolor explorations, so stay tuned.
I add color mediums to waterproof surfaces often to allow me to pick up the color easily with paintbrushes. There is always color leftover when I’m done using it. So I spray extra water over the color and basically mop it up with a scrap of watercolor paper. I learned this a while ago from someone. And I’m glad I did. The results are always different and unique. I save these pieces to create other items out of, like punched or die-cut shapes. Often my scraps are small. But this time I found a couple of pieces large enough to be card front layers for some birthday party invitations I made. They gave a perfect dreamy background to go with the floating balloon card.
Watercolor, watercolor, watercolor. I think I am obsessed.
My husband likes lighthouses, so instead of buying him a Christmas gift, I made one instead. I wanted to play with a freehand drawing, which quite honestly scares me. I don’t consider myself a “fine” artist, meaning I can’t do representational drawing very well. I’ve done a little practicing here and there with different things but I still have a long way to go. And you know what. That is okay. Everyone starts somewhere. Here I am at 41 starting something new. You can too!
I used a pencil to sketch out the drawing first. Erasers are your friend, let me tell you. I used markers to go over the pencil once I was happy with the composition. Double ended markers made this job easier. I used the broad tip for larger areas like the rocks, and the fine tip for details like the roof tiles, railing and grass. The fine tip left enough detail to give the hint of structure without leaving harsh lines. Once the color is in place, use a wet brush to pull and move the color. Don’t work two different colors near each other while they are still wet as this will cause colors to bleed into each other. Luckily, this simple marker technique drys fairly quickly and you can just move around the piece working here and there.
I wasn’t sure how to achieve a nighttime sky for the lighthouse so I skipped it and went with daytime. That presented another challenge. Blue for the ocean and blue for the sky. I just played with the markers I had and made a decision. I was happy with the cool blue ocean water (I did touch in a hint of violet also for some depth on the crests of the waves). The warmer more vibrant blue of the sky I think is too much of a mismatch in tone. But it is what it is and I learned plenty.
If you want to learn more about watercoloring (aimed at card makers) I highly recommend the Online Card Classes website. They have 2 self-paced workshops (for card makers and exploring mediums) on their site as well as an upcoming intermediate watercoloring class beginning at the end of January. I’ve taken the first two and will be in class for the third. Maybe I will see you there.
This card was a challenge entry but it was also intended for my middle kid to give to her teacher. Only problem? She wanted 5 exactly like them to give to all her teachers. I didn’t have 5 more apple wood pieces or more leaves or more…
What to do? Adapt the idea to something duplicatable (and this original card gets saved for another time). Here is how we made cards in bulk.
We kept the circle atop a green vertical strip. But we scaled our card to fit a single circle with the die cut leaves (Tim Holtz tattered leaves) and apple stamp (older Stampi’ Up image). Ink was added to the cork leaves to add some color and dimension. Simple adaptations to satisfy a little perfectionist tendency!
Last year I started sending in card donations to the Caring Hearts Card Drive. This event is put on in part by Jennifer McGuire. She and some other lovely ladies collect holiday cards and organize their distribution to nursing homes in the U.S., Canada and Australia. These cards are used to bring cheer to the elderly in nursing homes who don’t have any family to visit for the holidays. I can’t imagine being so lonely and my heart aches. I’m glad that I can do just a little bit of something for someone else. I know when my kids are grown I will spend more time volunteering in person, but for now this is what I (and the kids!) can do.
My students from the card making class I teach helped out with this project too. Together we made 22 cards to send in. Take a look at the lovelies that I just put in the box.
I used the wonderful Lawn Fawn Winter Fox stamp set. This is one of their small format (read affordable!) stamp sets and it is so friggin’ cute. I went with a watercolor technique for this. I inked up the stamp using markers of various colors and with a water brush I started softening the outline and pulling the color into the image. I scribbled a bit of extra ink onto a plastic sheet and picked up that extra color with my brush when needed. I used that extra color to add dimension to her nose, inside her left ear and under her chin. I also added more color to the rim of the coffee mug to make it pop a bit more. I got it a little too wet and my brown coffee color bled a little. But oh well. That is life with watercoloring. Notice the white around her mouth and each eye, next to her scarf and in between her legs? That white space actually adds dimension and makes the image less flat looking. When going with watercolor, less can sometimes be more. And just to show you what I mean, here is the original cutie.
See how one dimensional it is by itself. But adding water color is like magic! Plus adding some sparkle. That is like magic too. Did you notice in the last photo there is just a hint of sparkle in the steam? I used a Wink of Stella clear glitter brush pen to add that little touch. It is hard to photograph but in person is is just a little detail that adds so much fun.
And now for a serious message…
I encourage you to make some crafty goodness to brighten someone else’s day. You don’t have to donate here, but some ideas include: your local nursing homes, Meals on Wheels program, senior center, homeless programs, Ronald McDonald House (they provide cards to families while children are in the hospital), Boys and Girls club and many more. Take a look around and see where some happy mail can make a little difference in someone’s life. Cards are certainly great, but go one step further. Cards don’t fund these programs to provide all the help these folks need. When you drop off some craftiness also consider making a cash donation. Even just $5. These programs can’t do all they do without good old fashioned money.
I hope you all are surrounded by love and family, warmth and safety as the holidays approach!
Perhaps you have heard of Jennifer McGuire. She is a crafter who is very active on YouTube and on her blog. She is a very sweet and generous crafter. In order to encourage us to use our own crafty generosity, she is hosting a project called Share Handmade Kindness. Each week of November Jennifer will provide a challenge to share something homemade/handmade with people in our lives. And of course she is offering prizes! I would play along even if there were no prizes because I love to craft, I love to share and I love to send a little joy off the others. Perfect.
For this first week she challenged us toShare Handmade Kindness with “friends and family.” Easy, easy. I’ve got birthday cards that needed mailed out, so those are off on their way now. I also sent the flower/hello card that I made last week off to a friend who I haven’t been seeing very much anymore.
Here is a photo of the three items I sent in the mail today.
I’ve been very into watercoloring. (Who hasn’t?) My favorite way to use watercolors is with a wet on wet technique. See those HB letters on the birthday card? First I used clean clear water to draw the letters on watercolor paper. Then using a brush dipped in liquid ink I touch my brush to the bottom of each of the letter and let the color flow naturally onto the wetted paper. With a different color on top, the water naturally allows the colors to blend in the middle. You never know what you are going to get exactly but it is fun. And the tension of the water molecules holds everything into the shape you originally drew, in this case the letters HB so the colors don’t just bleed all over your project. So lovely.
I hope you can give this watercolor technique a try and also send some handmade kindness. If I win any of the prizes I will be sharing them with a card making class I teach at my kids’ school. Just more ways to share!
Normally I don’t go for the really cutsie images (read: inanimate objects with smiley faces). But the Lawn Fawn hedgehogs really spoke to me for some reason. I think they are really cute creatures in life so the stamp set felt more realistic and less over the top cute. I have to admit that it made me squee, which I don’t usually do over stamp sets. Plus, the low price point and the matching die makes the set really a great deal.
When I saw the DCWV stack-a-holic card sketch challenge for March, I knew I had the perfect idea for combining the sketch, the stamp and a needed get-well card.
First up the sketch…
And my take…
I used the DCWV Glitzy Glitter 6×6 paper pad. This paper is not simply a glitter glued down to cardstock. I’m not sure how this is manufactured, but the “glitter” is really fine and embedded/printed in a way that it does not come off. When you rub a hand over the glitter you can’t feel flakes, just a rougher texture. I love, love this paper since I can’t stand loose glitter flakes everywhere. I knew I wanted to use this paper since it had color gradient that worked well for the ground, grass and sky, plus pink for the hearts. And the card is a get-well card for a lovely little girl who had to spend a few days in the hospital. I wanted something very sweet and sparkly to cheer her up.
At first I tried stamping the images in regular dye ink on the glitter paper and that did not work well. The image was really faint. I could have tried Staz-On next but I decided to go straight for heat embossing to give it extra pop. When I heated the glitzy paper I soon realized something: there is a plastic quality to the paper that does not react well to heat. The paper curled quite badly very quickly. I was able to ease out some of the curling but didn’t get an entirely flat piece again. This made it harder to die cut since I had to tape the die down well to the cutting plate to get it to stay in place in the die machine. Once I got it cut, the continued curling didn’t matter to me as it gave the banner and little animals additional texture which I found I actually liked. However if you need something really flat this may be a problem. I may try to experiment with the heat more or squashing the pieces under heavy books for a while. If I don’t come up with more tips, just know for now, that you will run into this issue.
Once the embossing and die cutting was done, I added color to the hedgehogs (stamped on the same silver paper as the banner) using Copic markers. The paper did take well to the ink and I was able to add just a little shading and detail. Since it is such a small image, I don’t know how well true Copic blending would work on this surface, but I’d say give it a try and see what happens. I may try it with some floral images to test it out. I will let you know if I do.
(Note: The little hearts I ended up die cutting came from another lawn fawn set that had just a slightly larger heart die that cut in multiple.)